My earliest professional musical experiences were really as a session player, and every day was an adventure. Three sessions a day, every day, and you never knew who you would be working with until you arrived at the studio.

But I listen to live recordings of things that I did back in the '70s and then how I've done things since. And there's no doubt about it: if I compare the two, it's like chalk and cheese.

Success is buried in the garden of failure.

I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.

Coming back to Yes is like never having left. Even when I have not been in the band, I have always felt part of it.

I like Toronto a lot, it's a good city. The only thing that really annoys me about Toronto is that you're turning Maple Leaf Gardens into a grocery store, which is absolutely nothing short of disgusting.

Country and western is the music of the devil. Thats the real truth of the matter. My late Mother, bless her, loved country and western. God, I couldnt handle it.