And in more than half the pictures, she isn't looking at the camera; she's looking at him. Not the way I would look at Ben Parish, all squishy around the eyes. She looks at Evan fiercely, like, This here? It's mine

What doesn't kill us sharpens us. Hardens us. Schools us. You're beating plowshares into swords, Vosch. You are remaking us. We are the clay, and you are Michelangelo. And we will be your masterpiece.

The next time you better have a good reason," I tease him. "Okay." He kisses me again. "Reason?" I ask softly. "Um. You're really pretty?" "That's a good one. I don't know if it's true, but it's good.

Perhaps that is our doom, our human curse, to never really know one another.

Afterward I told his widow, "Your husband is dead, but at least he died laughing.' I think she took some comfort in that. It is the second-best way to die, Will Henry." He did not say what the best way was.

There are things that are too terrible to remember, and there are things that are almost too wonderful to recall.

The spring rains woke the dormant tillers, and bright green shoots sprang from the moist earth and rose like sleepers stretching after a long nap. As spring gave way to summer, the bright green stalks darkened, became tan, turned golden brown. The days grew long and hot. Thick towers of swirling black clouds brought rain, and the brown stems glistened in the perpetual twilight that dwelled beneath the canopy. The wheat rose and the ripening heads bent in the prairie wind, a rippling curtain, an endless, undulating sea that stretched to the horizon.