What doesn't kill us sharpens us. Hardens us. Schools us. You're beating plowshares into swords, Vosch. You are remaking us. We are the clay, and you are Michelangelo. And we will be your masterpiece.

I start to unbutton his shirt. "Got to get these clothes off," I mutter. "You don't know how long I've waited to hear you say that." Smile. Lopsided. Sexy.

You know how sometimes you tell yourself that you have a choice, but really you don't have a choice? Just because there are alternatives doesn't mean they apply to you.

It isn't that the lies are too beautiful to resist. It's that the truth is too hideous to face.

Afterward I told his widow, "Your husband is dead, but at least he died laughing.' I think she took some comfort in that. It is the second-best way to die, Will Henry." He did not say what the best way was.

Maybe you reach a certain point in evolution where boredom is the greatest threat to your survival. Maybe this isn't a planetary takeover at all, but a game. Like a kid pulling wings off flies.

The beautiful wooden board on a stand in my father's study. The gleaming ivory pieces. The stern king. The haughty queen. The noble knight. The pious bishop. And the game itself, the way each piece contributed its individual power to the whole. It was simple. It was complex. It was savage; it was elegant. It was a dance; it was a war. It was finite and eternal. It was life.