It's difficult being a child actor. I don't think everything beautiful has to be exploited. Some things can be beautiful and left beautiful.

I think that if there's some innovative entrepreneurs out there who can help teach people how they can cost-effectively help themselves and their planet, I think everybody would be for it. That's going to be the challenge - figuring a way to get the marketplace and commerce to teach us consumers another way.

Westerns are fun. I wish more of them would be made. When you're out there on a set, carrying a gun, riding a horse, you kind of get lost in that make believe world.

Nashville feels like a big little town to me. It's got lots of culture and lots of interesting things to do and lots of interesting people. At the same time, it feels very small and tight-knit and very close. Everyone feels like they know each other.

I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.

There are always moments of despair when you get close to jobs and lose them at the last second. It feels like getting punched in the stomach. You feel like, 'Why do I do this?' Then you go to bed, get up the next day and forget about it.

I love being on set, because I've basically grown up on a set. And now I love to contribute as a director and help steer the ship, if you will.