I like clever songs. I like songs that make people think and I try to have substance in all my records, even with 'Sweet Dreams' how it was a club record and it was up tempo, but it was melodic and it was, like, lyrical.

I don't have the desire to just keep every record and put it out. That's not what I do. I make records for people; that's why I just continue to be consistent, where a lot of the other top writers, they kind of fell off because they started focusing on their own careers as artists. That's not where my head is at.

There's a bunch of people who sit around and make excuses for themselves and get upset with artists, but you already know what this is - it's an ego-driven business.

It takes a different mindset to be successful in anything; that's why there's not a lot of super duper successful people, because it's guys I know who may be ten times more talented than me, but they don't work as hard.

I'm excited about being able to write and produce songs from an executive standpoint as well as the business side of it and the political side of it. I'm working on angles when it comes to the music business because I feel like that's the only way you can become a mogul.

I really was kind of like a musical nerd. I would watch VH1's 'Behind The Music.' That was heavy when I was a kid. I would sit up and want to watch that all day instead of going outside sometimes.

I really want to work with Rufus Wainwright. Michael Stipe from R.E.M. I would love to work with Kanye West.