I went to Art College and during the summer I made a movie with my brother. I got hold of a little camera, wrote a script and dragged my brother, Tony, out of bed to help me (which he did not like), so that we could shoot a film every day for six weeks. It was made for £65 and it was called Boy On A Bicycle.

I like my wine and vodka, but that doesn't mean I fall about drunk. I know my limits.

Well, not totally because over the years I've probably done 2,700 commercials. So, I'm always ticking. And in a way that was a huge advantage because I was able to take my time choosing my film subjects because I wasn't relying on the fear of not being able to work.

If I have to, I'll go and direct theater and talk till the cows come home.

MPC, Moving Picture Company, they're really excellent, they did the majority of the effects.

There's a little thing on your shoulder called intuition and it whispers in your ear. Everyone has that, there is a voice telling you to do something. Most people ignore it - but you must listen to it. I do it every day, all day.

I spend a lot of my time just developing material; or the company does. That material can come from a book, can come from a newspaper, can come from a discussion and sometimes it can come from a script that got passed over and is floating around.