What you do, is you gradually become more and more experienced, and more and more realistic about dramatic tolerance, i.e. about how long the play should be.

My career seems to be a career of non-specific subjects which are all over the place.

And I maintain good relationships with all the studios so I've never been bullied into any cut, frankly.

I'm a moviemaker, not a documentarian. I try to hit the truth.

Life isn't black and white. It's a million gray areas, don't you find?

I get so used to working with writers that my prime occupation is development.

I think movies are getting dumber, actually. Where it used to be 50/50, now it`s 3% good, 97% stupid.