I never try to force poems into a collection simply because they were written/published within a certain period of time. They will eventually find their perfect home.

One of the things I'm constantly telling my students is that they're never going to write a poem everyone gets, or if they do, they've failed. They should leave someone behind every time.

I like to move around in the landscape between poetry and prose, between the lyrical and the narrative.

I turned to human suffering because - this may sound odd - animal suffering is more difficult for me to deal with.

Publishers have in-house editors, but I hire my own before I submit the work to publishers. They appreciate it and I feel more confident about the material.

Matt Mason must be declared the poet laureate of the Midwest! No other native son celebrates the overlooked America, its unsung citizens (from the anonymous poets to the part-time English teachers), and its expansive indigenous landscape, as well as he does. Mason's poetry is humorous when he wants to be quirky, heartbreaking when he wants to be eloquent, and though he moves effortlessly into other moods and geographies, he always returns to his first and most enduring love (and to what he knows best)-his homeland.

Human suffering is articulated in language; communication is how we seek help, consolation, etc.