We'd get in the car and i'd look over at John and say 'Christ. Look at you. You're a bloody phenomenon!' and just laugh because it was only him.

Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.

I'm quite honored by it. They [people] tell me that , 'If it hadn't of been for you, I wouldn't have played drums.' Hey, don't blame me, I was just up there doing my stuff. So no, I never take it as any real pressure.

It all comes down to who you crucify, you either kiss the past or future good-bye.

I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.

Ten years from now, it'll all be the blues because that's the only speed I'll be able to play

They paint you red before they sacrifice you. It's a different religion from ours - I think.