When we are touched by something it's as if we're being brushed by an angel's wings.

I think reading Shakespeare's plays when I was young was extremely important. He had the ability to make utter strangers come alive.

For years, I had heard about the lack of interest in literature in the U.S. and I had complained about the lack of respect artists got here. In my heart, I failed to understand how people could fail to be moved by art.

I never think of my audience when I write a poem. I try to write out of whatever is haunting me; in order for a poem to feel authentic, I have to feel I'm treading on very dangerous ground, which can mean that the resulting revelations may prove hurtful to other people. The time for thinking about that kind of guilt or any collective sense of responsibility, however, occurs much later in the creative process, after the poem is finished.

We tend to be so bombarded with information, and we move so quickly, that there's a tendency to treat everything on the surface level and process things quickly. This is antithetical to the kind of openness and perception you have to have to be receptive to poetry.poetry seems to exist in a parallel universe outside daily life in America.

My inspiration comes from everywhere, just walking down the street and I never know where it's going to come from, so I keep a notebook with me at all times and the only criteria for anything making it into that notebook is if it stops me in my tracks for even an instant, if it catches my eye or my ear and I just write it down.

I have a high guilt quotient. A poem can go through as many as 50 or 60 drafts. It can take from a day to two years - or longer.