If our children are unable to voice what they mean, no one will know how they feel. If they can’t imagine a different world, they are stumbling through a darkness made all the more sinister by its lack of reference points. For a young person growing up in America’s alienated neighborhoods, there can be no greater empowerment than to dare to speak from the heart — and then to discover that one is not alone in ones feelings.

It really wasn't until I was in college when I began to write more and more, and I realized I was scheduling my entire life around my writing

I was not interested in doing the plot of Oedipus in blackface. I did wonder, what would these people have been like if they hadn't been in that situation?... One could look at Oedipus, or at my character Augustus, as a cynical schemer who did everything because he was hungry for power. But that's just too easy. I'm more interested in how humans can embody conflicting goals and emotions.

I try to show what it is about language and music that enthralls, because I think those are the two elements of poetry.

I was apprehensive. I feared every time I talked about poetry, it would be filtered through the lens of race, sex, and age.

For years, I had heard about the lack of interest in literature in the U.S. and I had complained about the lack of respect artists got here. In my heart, I failed to understand how people could fail to be moved by art.

My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.