In my early days, I never used finger vibrato at all. I originally carved my reputation as one of the 'fast' guitar players.

Sometimes if I'm not playing well on stage, I'll purposely play even worse; I'll tear it apart, because I'm so disgusted with what I'm playing that I'll go the wrong route: instead of trying to make it better, I'll go the other way and really make myself sound bad. Which is a kind of a strange outlook I suppose, really.

One of the reasons I took up the guitar was I didn't want to speak to anybody. I really felt uncomfortable speaking to people, so I took the guitar up so I could hide behind it. I'm not comfortable explaining things, because my brain doesn't work that way.

I criticize my own work pretty harshly.

I don't play by those rules; I'm my own worst enemy sometimes. There's something in me that has to go against the grain. You know, I don't like to be a dead fish, swimming with all the other dead fish, I like to go upstream sometimes, against the flow.

Simplicity is the key.

Session work makes you more strict. You can't hit notes all over the place. You've got to make each one really count.