Bandwagons roll through our lives. Its up to you whether you jump on them unquestioningly or jump on them to overturn them and subvert them.

The racism in South Asia is the most specific racism in the world. It's like racism against a slightly different language group. It's like micro-racism.

No-one gets a job at 16 and stays in it until 60 any more; we're connected to more people simultaneously than ever before, whether online or on our phones. We wear so many different hats within one day, one week, a lifetime.

Bandwagons roll through our lives. Its up to you whether you jump on them unquestioningly or jump on them to overturn them and subvert them.

The camera or the microphone in the booth is merciless. If you don't believe what you're saying, it hears it. If you don't believe it, it sees it in your eyes, it hears it in your voice that there isn't the conviction there.

The music I make and the process of acting, for me, are both about trying to understand people and get inside what makes us tick. That's the main thing that excites me. Our sense of who we really are and what drives us.

I think that in an Internet age, content is content. As long as you can stand up on the merits of what you're doing right at that moment and aren't just relying on your success in doing something else, it's all good; people will respect you.