The biggest revolutions are the ones that happen in-between our ears.

It seems like people need to get into the last album until they can tolerate the next one. And then, slowly but surely, by the time the new one's available, they've gotten into the last one and they really love it.

There's not much room for deviation, yet if you manage to crack it, there then you can express things that actually do sound unique and genuinely original.

We cannot make rivers whole unless we wholly understand them.

I know that there's a lot of room to maneuver in those kind of ghostly musical spheres.

When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.

You can't go back and edit during the live set in the club. In the studio it's different.