It seems like people need to get into the last album until they can tolerate the next one. And then, slowly but surely, by the time the new one's available, they've gotten into the last one and they really love it.

To me, an untrained ear, a young person at the time, I would hear off the different feels, all these different sounds, and then years later realize that everyone had used the same equipment, just to their own ends.

It seems like people need to get into the last album until they can tolerate the next one. And then, slowly but surely, by the time the new one's available, they've gotten into the last one and they really love it.

When you're in the studio, you've got a narrative for what goes on, you might switch on a bit of gear and it might not work as you intended or come out a bit wrong, and you try and exploit it.

Despite a lot of people thinking that everything gets more and more difficult, I always assumed that people are going to be "Oh, at last you buckled, you're trying to be commercial."

You can sit in front of a computer and have a blank slate and be completely overwhelmed by the possibilities and not get anywhere.

The biggest revolutions are the ones that happen in-between our ears.