I have other obligations now - the show, my family, my life... though I know that without my sobriety I wouldn't have any of those things.

If people find me attractive, it would be for reasons that anybody finds anybody attractive. It's something that comes from within, and it manifests itself physically.

For the only time in my career, I came in and met Tony [Richardson] for the part - I did not read, I just met with him - and in the middle of the meeting, he told me that I had the part [in The Hotel New Hampshire]. There was never, "Well, thank you, and we'll have my people call your people." There was none of that kabuki that goes on now endlessly for even the smallest role.

What people do in their private lives is their business, and shouldn't be anybody else's business.

I am the guy dressing up in, you know, the caveman outfit for the kids birthday parties.

I just had such a blast coming up with this corporate dweeb [in the Sex Tape], a sort of nerd who was also doing coke and listening to death metal and was obsessed with Walt Disney art. I just felt it was a type of guy you hadn't really seen before, and I was so happy with how it came out.

David Mamet, Tim Kazurinsky, and Denise DeClue, who adapted [ About Last Night]. Between the three of them... I mean, it's always down to the writing. You're only as good as your writing.