I'd done light comedy. In some quarters, About Last Night... is a romantic comedy. So it wasn't like I'd been doing Sophie's Choice my entire career. But for whatever reason, nobody had really given me the room or the ability to be out and out funny. And Lorne [Michaels] and Mike [Myers] and Chris [Farley] and Dana [Carvey], that crop really helped me do that.

There's an argument that maybe [The Grinder] was better suited for streaming or cable. I don't know. I still like to think there's a place for smart, subversive, original comedies on networks.

There's this unbelievable bias and prejudice against quote-unquote good-looking people, that they can't be in pain or they can't have rough lives or be deep or interesting.

I think I have a pretty good ear. I mean, even just starting with, like, Austin Powers, where I did young Robert Wagner. People were, like, "How do you imitate Robert Wagner? What does he sound like? What does that even involve?".

[ Hosting Saturday Night Live ] paved the way for Parks And Rec and The Grinder, the Comedy Central Roast, and that whole side of my career.

You can meet people who are really beautiful. Then, when you see them angry for the first time, all of a sudden they're not beautiful anymore. They didn't just step into the other room and have plastic surgery; they're still the same physically. It's just that something inside of them has changed. They're no longer attractive.

I was... 15? And Garry Marshall, who had many, many seasons in the sun and a very long career, was in the middle of the brightest of all his seasons - I think he owned network television - and it was his next thing, and he was directing [Mean Jeans ]. And I thought, "If there's anyone who can bring comedy out of a designer jeans shop, it's gotta be Garry."