I have such amazing memories [about The Hotel New Hampshire movie], because Tony Richardson was such an amazing director, and the subject matter was so bizarre, and yet it was the most sought-after part at that moment. And then it had the good fortune to come out on the same day as Splash.

I just had such a blast coming up with this corporate dweeb [in the Sex Tape], a sort of nerd who was also doing coke and listening to death metal and was obsessed with Walt Disney art. I just felt it was a type of guy you hadn't really seen before, and I was so happy with how it came out.

I think [The Outsiders] really forged who I am as an actor, and it's one of the reasons why I keep being drawn to big ensembles where I'm surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.

To achieve longevity you will have cycles. No one gets there in one straight shot.

When I'm angry I'm an incredibly tough person, because I don't get angry easily.

The really good thing about my career is that I never went through a phase where I played characters who had names like "Partygoer," "Waiter," or "Guy #1."

I went from doing something that was very original, sort of subversive, and specific in its voice - The Grinder - and loved every minute of it, but having done that, I was anxious to do something that had more broad appeal and to embrace the good things about that.