There's an argument that maybe [The Grinder] was better suited for streaming or cable. I don't know. I still like to think there's a place for smart, subversive, original comedies on networks.

The best part is not the biggest, it's the one that's most memorable.

Contrary to popular belief, I don't go out very much. When I do go out, a lot of times it'll be to something like a heavyweight fight, and I'll be photographed, so that people have this conception that I go out a lot.

When I had my Comedy Central roast, David [Spade] was my first choice to be roastmaster, because I adore him. He's funny as hell, and nobody is meaner.

When I hear that I realize how quickly time passes and how everybody goes on their journeys and they're always unbelievable and they never go where you think they're going to take you and, quite frankly, it also makes me feel a little old.

Helmut Newton shot the ad campaign [for Bad Influence]. It's [James] Spader at the top of his game, right after Sex, Lies And Videotape. It's sexy. It's weird. It's dark. The characters are great.

[Virginia Madsen] big part in that movie ['Class'] required her shirt to get ripped off, and looking back, it couldn't be a more egregious, vintage, lowbrow, 1980s Porky's-esque, shoehorned-in moment. Like, you would never have that moment in a movie that aspired to be what that movie did today.