The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.

The problem we have right now in Washington is we don't have the face of a leader.

Every single person in jail for a violent crime had a nightmare childhood.

This is about the daily ins and outs of a marriage. I don't want to give away the ending, but they are trying either to make the marriage work or make the separation work. Our job is to make that interesting.

When you do improv, you're everything. You're a performer, writer, and director, because you're moving the scene in the direction you want it to go, you're making it up as you go, and you're acting it.

I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.

The idea of playing a part where I get to wear a completely undetectable hairpiece... you can't walk away from that.