I was certainly a child of the '60s, and I came out of that era, and as a young actor, I got cast as a lot of counterculture hippie types.

Albert [Brooks] was rare in that he could make adults laugh. He was a prodigy. At age 15 and 16, he could make my dad laugh uncontrollably. And whenever we had parties, some of the funniest people of my generation - whether it was Billy Crystal or Robin Williams or John Belushi - would be doing shtick.

If you have tapped into something that is real for you, chances are you are going to tap into something that is real for someone else.

I act once in awhile if something comes up that seems fun. I like to do it - its a lot of fun because theres no responsibility. You let other people have the headaches. The director has all of the headaches.

It gives you more freedom, the digital camera.

The script is like music to me. I approach it like it's a musical piece and I hear how it's supposed to sound when people say the words. There's rhythms and there's intonations and things, and so, when somebody comes in and hits the notes that I hear, I go okay. Or, they come close enough, and then I'll say "Well how about you try it like this?" and if they have a good ear and they can pick it up, then I think okay, they've got it.

Women are more in touch with their feelings, they're more emotionally developed, they know what's important in life, and the men run around like idiots trying to figure that out until they meet a woman that can show them what's important.