I love improv so much. Listening. I think that's the key. When you improvise, you put a lot of pressure on yourself to create, and to be generating information, and trying to be funny, but if you just listen to what's being said to you, and then react honestly, you generally get better results.

I love improv so much. Listening. I think that's the key. When you improvise, you put a lot of pressure on yourself to create, and to be generating information, and trying to be funny, but if you just listen to what's being said to you, and then react honestly, you generally get better results.

I always try to stick to the script because I want to respect the writers, and I want to respect the director. But if the director and my fellow actors are okay with me playing with it a little bit, then I definitely want to play with it. I definitely want to do that, because I tend to... when I put things in my own words, it comes out way better. It flows naturally, it just feels better. I can put some weight into the words. Even in comedy, it just comes better.

My idesl work situation now is if I could script-my-own-life-type thing. I'd love to have a television show on HBO, and then on hiatus, make a movie - just one. And then spend the rest of the time with my family. I wouldn't ask for anything else. That'd be all I need.

I think audiences can relate to the guys I'm playing, those large-and-in-charge idiots. Or maybe I just make them feel better about who they are, or who they're dating.

When I say that I don't know what my next thing is, I don't. I'm just gonna read scripts, and if I see something that jumps out at me, I'm just gonna call my agents and say, "Please get me in so I can audition for this." You gotta sing for your supper. It never stops.

When you go out there to do comedy, you feel like you're doing battle with the audience a lot of the time. You're either going to get 'em, or you're not.