You'd think if anyone could charm America into caring about the evening news, it would be Katie Couric, the Tri Delt from Virginia who became America's sweetheart on the 'Today' show. But her ratings have been dismal - she comes in last place every week.

Not being able to protect her from things was the most frightening thing I'd ever felt, and it kicked in as soon as we got together. With every year we spent together, I became more conscious that I now had an infinitely expanding number of reasons to be afraid. I had something to lose.

Every mix tape tells a story. Put them together, and they add up to the story of life.

In the old days, when a star left a still-thriving hit show, they'd celebrate by killing him or her off. But 'The Office' dispatched Michael Scott in a crueler and more final way: they made him normal. Since we're talking about Michael Scott, 'normal' might be stretching it, obviously.

Tonight, I feel like my whole body is made out of memories. I'm a mix-tape, a cassette that's been rewound so many times you can hear the fingerprints smudged on the tape.

Like any teenager who reads The Great Gatsby, probably, I was madly in love with the teacher who had opened it up for me.

Like many other touchstones of twenty-first-century pop culture, 'The Sopranos' was hatched in the late Nineties, predicting a future that never arrived. It was designed for a decade that would be just like the Nineties, except more so, in an America that enjoyed seeing itself as smarter and braver and freer than ever before.