Not being able to protect her from things was the most frightening thing I'd ever felt, and it kicked in as soon as we got together. With every year we spent together, I became more conscious that I now had an infinitely expanding number of reasons to be afraid. I had something to lose.

The times you lived through, the people you shared those times with — nothing brings it all to life like an old mix tape. It does a better job of storing up memories than actual brain tissue can do. Every mix tape tells a story. Put them together, and they can add up to the story of a life.

Ronnie Spector's hair was taller and meaner and scarier than all four Shangri-La's combined, plus the drummer from the Honeycombs. You just know her rat-tail comb was a switchblade.

You can't beat the beehive for glam punkette attitude.

Julia Louis-Dreyfus is just perfect in 'Veep.' She gets to show off the spiky claws beneath her patrician finesse. The obvious way to play 'Veep' would be to make Louis-Dreyfus a folksy heroine, one with more common sense or populist heart than her enemies. But she isn't one.

At an incredibly divisive point in pop history, Donna Summer managed to create an undeniable across-the-board experience of mass pleasure - after 'Bad Girls,' nobody ever tried claiming disco sucked again. It set the template for what Michael Jackson would do a few months later with 'Off The Wall.'

I didn't know what I was. I didn't have a noun.