I’ve always loved Alice Cooper.

In the US everybody is about what's new and what's next and they don't really build a real loyalty as much as in Europe - if you were ever good and they liked you, they will treat it with the respect that it still matters.

But I think bands that rolled in with a big attitude, like they were some big deal, I just found that very strange.

The hardest part was convincing people that I was serious. The people were like 'you want to do this again'?

I was never really that aware of commercial things. The stuff that was really influential to me were bands like the Misfits or the Birthday Party, or things like that. If someone said, "Do you love Judas Priest?" - I never really even had a Judas Priest record. That's not what I grew up with. That wasn't really my scene, you know? That's why White Zombie never really fit. I still don't fit.

When you get older, you kind of learn when something is done, you just walk away. Sometimes people just want to keep fixing things. But you know it's kind of just like your gut that tells you, "You're done, walk away" because you can always keep fixing it.

I'm sick of remakes, how about something different. That's the thing - people always come to me and are like 'what do you want to remake, we know we can get that greenlight, what do you want to make?' I don't want to remake a g-d damn focking think.