I love films where the world seems to be going a bit faster and everything's a bit brighter and more in focus.

The person who comes up to you and makes the most noise and is the most intrusive is invariably the person in the room who has no respect for you at all, and it's really all about them.

Well, I quite like animals, but theyre unpredictable. I mean, look at old whats-his-name in Vegas. Tiger dragged him off the stage, you know? The guy brought up tigers. Theyre quite unpredictable.

Usually for a movie, if you want a 13-year-old, you get a 16-year-old who looks 13, because 13-year-olds dont have that level of self-awareness.

I sometimes worry that all the beautiful things have been made.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

Nowadays the big Hollywood studios only make about three movies a year, and they cost about $200 million each. There's no room for error in that, and not a lot of room, I would think, for free expression.