No one, though has to go to college to make or understand or enjoy art. Wonderful artists and critics - some of the best - have educated themselves.

At our best and most fortunate we make pictures because of what stands before our camera, to honor what is greater and more interesting than we are. We never accomplish this perfectly, though in return we are given something perfect--a sense of inclusion. Our subject thus redefines us, and is part of the biography by which we want to be known.

When you catch on to your awakening, the world does not change. You just see it differently, that's all. You acquire a feeling of immortality. A feeling of divine bliss, so to speak, when things no longer have the power to affect you.

Henry James proposed asking of art three modest and appropriate questions: What is the artist trying to do? Does he do it? Was it worth doing?

There's something within you that knows what to do. There is a power greater than you that knows how to take care of you without your help. All you've got to do is to surrender to it. Surrender your thoughts, your mind, your ego, to the current that knows the way. It will take care of you. It will take better care of you than you can ever imagine.

There is only one I actually. That I is Consciousness. When you follow the personal I to the source, it turns into the universal I, which is Consciousness. Begin to catch yourself. begin to realize your divine nature. You do this by keeping quiet. The fastest way to realization is to keep quiet.

The job of the photographer, in my view, is not to catalogue indisputable fact but to try to be coherent about intuition and hope. This is not to say that he is unconcerned with the truth.