If something works for you, you continue to do it. I did a bunch of pictures for 20th Century Fox when Alan Ladd was over there, but I set the budgets so low that they'd approve and I'd deliver the film. They would have no say in it, which is the kind of arrangement I liked.

The minute you have more than one voice, you have more possibilities opening up. You have all the molecules in all of those bodies and their make up interacting.

Filmmaking is a chance to live many lifetimes.

I was scared that no one would hire me. At that time, there was still a stigma attached to it. A big stigma. Actually, I think I was healthier after the operation than some people who have bypass surgery because I was completely cured. But when you mentioned "heart transplant," you got a very negative reaction. It triggered people's imaginations, and not in a good way.

All of my films deal with the same thing: striving, socially and culturally, to stay alive.

They'll never give me an Oscar. And I sincerely, honestly don't care. I always turn up when I'm nominated and it would be nice to get one, but to win one would be bad luck. It comes with too much expectation. It would be the end.

I've never had a big hit movie. "MASH" was probably the biggest. I don't make those kind of films, and I never have. I wish each one of them would just do billions of dollars worth of ticket sales, but they never do and they never will.