I want to see something that I've never seen before, so how can I tell that actor what that is? I'm not trying to construct a document or situation that is what I want, because what I want is something new to me.

Filmmaking is a chance to live many lifetimes.

What is an ending? There's no such thing. Death is the only ending.

The artist and the multitude are natural enemies. They always will be, both ways. The artist is an enemy of the multitude, and the multitude is the enemy of the artist. And when the disguise comes off and they're both standing facing one another, they're just there at odds end.

I insist that they do what they became actors to do. I want them to create something and not just hit marks and say words. So they all love that because they're playing. It's called playacting. Their contributions are not only welcomed, but are accepted and used.

Wisdom and love have nothing to do with each other. Wisdom is staying alive, survival. You're wise if you don't stick your finger in the light plug. Love - you'll stick your finger in anything.

People have asked me throughout the years which directors have influenced me. I don't know their names, because I was mostly influenced when I'd see a film and think, "Man, I want to be sure to never do anything like that." So I never learned their names. It wasn't a matter of copying or emulating somebody I admired. It was getting rid of a lot of stuff.