Making a movie is like chipping away at a stone. You take a piece off here, you take a piece off there and when you're finished, you have a sculpture. You know that there's something in there, but you're not sure exactly what it is until you find it.

Titanic I thought was the most dreadful piece of work I've ever seen in my entire life. Another film that I think is equally bad was American Beauty. So badly acted and directed. But people like that.

If you have a child who is seven feet tall, you don't cut off his head or his legs. You buy him a bigger bed and hope he plays basketball.

If something works for you, you continue to do it. I did a bunch of pictures for 20th Century Fox when Alan Ladd was over there, but I set the budgets so low that they'd approve and I'd deliver the film. They would have no say in it, which is the kind of arrangement I liked.

[The Player is] not a truthful indictment of Hollywood. It's much uglier than I portrayed it, but nobody would've been interested if I'd shown just how sadistic, cruel and self-orientated it is.

Happy endings are absolutely ludicrous, they're not true at all. We see the guy carry the girl across the threshold and everybody lives happily ever after -- that's bullshit. Three weeks later he's beating her up and she's suing for divorce and he's got cancer.

I was scared that no one would hire me. At that time, there was still a stigma attached to it. A big stigma. Actually, I think I was healthier after the operation than some people who have bypass surgery because I was completely cured. But when you mentioned "heart transplant," you got a very negative reaction. It triggered people's imaginations, and not in a good way.