Whatever is pure is also simple. It does not keep the eye on itself. The observer forgets the window in the landscape it displays. A fine style gives the view of fancy--its figures, its trees, or its palaces,--without a spot.

Poetry deserves the honor it obtains as the eldest offspring of literature, and the fairest. It is the fruitfulness of many plants growing into one flower and sowing itself over the world in shapes of beauty and color, which differ with the soil that receives and the sun that ripens the seed. In Persia, it comes up the rose of Hafiz; in England, the many-blossomed tree of Shakespeare.

A discursive student is almost certain to fall into bad company. Ten minutes with a French novel or a German rationalist have sent a reader away with a fever for life.

Joy and grief are never far apart. In the same street the shutters of one house are closed, while the curtains of the next are brushed by shadow of the dance. A wedding-party returns from church, and a funeral winds to its door. The smiles and the sadness of life are the tragi-comedy of Shakespeare. Gladness and sighs brighten and dim the mirror he beholds.

Humor is the pensiveness of wit.

Attention makes the genius; all learning, fancy, science and skills depend upon it. Newton traced his discoveries to it. It builds bridges, opens new worlds, heals diseases, carries on the business of the world. Without it taste is useless, and the beauties of literature unobserved.

The gloomy recess of an ecclesiastical library is like a harbor, into which a far-traveling curiosity has sailed with its freight, and cast anchor. The ponderous tomes are bales of the mind's merchandise. Odors of distant countries and times steal from the red leaves, the swelling ridges of vellum, and the titles in tarnished gold.