I relied mainly on other artists, who I think are smarter than critics, any critics or curators or anybody like that. They really know.

The first place I try to go when I have free time is the museums. I'm a big museum person.

I didn't make videos for a long time because I hated the look of TV sets.

I'm my own worst critic. I mean, I know what's wrong with everything that I've done.

I didn't know my grandparents. They were - my grandfather - my maternal grandfather died when I was five. I have very little memory of him. All my other grandparents were dead by the time I was of any age to remember anything.

So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.

And yes, there are things I want to keep, that I like around me - especially when there's very little left. I just want to keep those little bits of reminders of my past. There are certain drawings from the '60s; certain little paintings from the '60s that I keep.