The thing I loved the most about being art director was picking the photographers and working with them.

Style lasts forever and taste doesn't.

I was dyslexic as a child and it took me years to get passed that. I read a lot but it was hard and that didn't go away until my early-to-mid-twenties. So really what I was looking at were the photographs and the illustrations in magazines.

Although I had a few jobs that I didn't like, or quit, or got fired from, I really loved New York from the moment I got here and I never stopped.

My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture.

After the war, photography came alive, in part because everybody started to use the 35mm camera, and worked on the street instead of in a studio, and that made an enormous difference in not only how photographs looked, but what they were about.

In America, people rarely stay in the town where they grew up, rarely stay in close proximity to their parents throughout their lives. You rarely find parents in their old age being taken care of by their children.