The language you use for your poems should be the language you use with your friends.

A person who discreetly farts in an elevator is not a divine being, and a man needs to know this.

The inner boy in a messed-up family may keep on being shamed, invaded, disappointed, and paralyzed for years and years. "I am a victim," he says, over and over; and he is. But that very identification with victimhood keeps the soul house open and available for still more invasions. Most American men today do not have enough awakened or living warriors inside to defend their soul houses. And most people, men or women, do not know what genuine outward or inward warriors would look like, or feel like.

The candle is not lit To give light, but to testify to the night.

One day while studying a Yeats poem I decided to write poetry the rest of my life. I recognized that a single short poem has room for history, music, psychology, religious thought, mood, occult speculation, character, and events of one's own life. I still feel surprised that such various substances can find shelter and nourishment in a poem. A poem in fact may be a sort of nourishing liquid, such as one uses to keep an amoeba alive. If prepared right, a poem can keep an image or a thought or insights on history or the psyche alive for years, as well as our desires and airy impulses.

Vertical attention is not the same as, and doesn't evolve from nor imply, hierarchy. We could say that hierarchy is associated with power, and vertical attention with longing for the Divine Feminine, for the Divine Masculine, for what the Sufis call 'wine.'

As the saying goes, you might as well be yourself; everyone else is taken.