Two types of films: those that employ the resources of the theater (actors, direction, etc...) and use the camera in order to reproduce; those that employ the resources of cinematography and use the camera to create

The most ordinary word, when put into place, suddenly acquires brilliance. That is the brilliance with which your images must shine.

Practice the precept: find without seeking

Make visible what, without you, might perhaps never have been seen.

The future of cinematography belongs to a new race of young solitaries who will shoot films by putting their last penny into it and not let themselves be taken in by the material routines of the trade.

Catch instants. Spontaneity, freshness.

Ideally, nothing should be shown, but that’s impossible.