Model. Two mobile eyes in a mobile head, itself on a mobile body.
Master Precision. Be a precision instrument myself.
Unbalance so as to re-balance.
The eye solicited alone makes the ear impatient, the ear solicited alone makes the eye impatient. Use these impatiences. Power of the cinematographer who appeals to the two senses in a governable way. Against the tactics of speed, of noise, set tactics of slowness, of silence.
In the NUDE, all that is not beautiful is obscene.
For me, film-making is combining images and sounds of real things in an order that makes them effective. What I disapprove of is photographing things that are not real. Sets and actors are not real.