The war correspondent has his stake - his life - in his own hands, and he can put it on this horse or that horse, or he can put it back in his pocket at the very last minute.

The truth is the best picture, the best propaganda.

For a war correspondent to miss an invasion is like refusing a date with Lana Turner.

The war is like an actress who is getting old. It's less and less photogenic and more and more dangerous. (1944)

The pictures are there, and you just take them.

If your pictures aren't good enough, you aren't close enough.

It's not always easy to stand aside and be unable to do anything except record the sufferings around one.