I find that most books that I don't like are those in which the authors have indulged themselves. I can almost sense when they're writing something for themselves.

There are moments that stop the heart, that catch the breath, that halt the beat of blood in your veins, and you are suspended in time, held between life and death, and you wait for something to bring you back again.

I am frightened by today's world, terrified by it. I think that comes out in the books. I'm afraid of big things. Some of these schools have three thousand kids, and even the size of the schools frightens me. Big government frightens me; so does big defense.

And he did see--that life was rotten, that there were no heroes, really, and that you couldn't trust anybody, not even yourself.

I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.

You hope that people read your book and say "Yes, this is the way it is or could be." But then you have no way of knowing until the reader reads the book. Actually, the critical response doesn't worry me. I've had very few reviews that have upset me.

A terrific sadness swept over Jerry. As if somebody had died. The way he felt standing in the cemetry that day they buried his mother. And nothing you could do about it.