I use photos a lot for drawing people and personalities, but they're almost never photos that I've taken.

You don’t have journalists over there anymore, what they have is public relations people. That’s what they have over in America now. Two-hundred and fifty thousand people in public relations. And a dwindling number of actual reporters and journalists.

I draw the line at some things. Some things I won't do for any amount of money. Like for instance, there's a couple of CEOs of very large corporations that offered me lots of money to do special pictures for them. And I just refused to do that. Even if it was a million dollars I wouldn't do it.

I always had a sketchbook with me when I was young. I was hiding behind it, basically, hiding behind drawing because I couldn't cope with people in real life; I was very shy and very nervous around people.

Some of the wealthy collectors have paid lots of money for artwork that I already did, but I didn't do it with the intention of catering to them. I think part of the reason my work is attractive to people like that is because it doesn't cater to them.

The fine-art world knows very little about the cartoon world.

I'm into old-time music, I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like.