Every set up that you do, everything is precisely modulated and raised and lowered.”

I think it's important to have had at least a few years of obscurity, where people treat you like everybody else.

You talking to me? You talking to me? Then who the hell else are you talking to - you talking to me? Well, I'm the only one here.

There is a certain combination of anarchy and discipline in the way I work.

You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.

If you don't go, you'll never know.

I got some bad ideas in my head.