Light comes to us by the sensibility. Without visual sensibility there is no light, no movement.
Light in Nature creates the movement of colors.
This communication alone, by the comparison of the antagonisms, rivalries, movements which give birth to decisive moments, permits the evolution of the soul, whereby a man realizes himself on earth. It is impossible to be concerned with anything else in art.
Seeing is in itself a movement.
Art in Nature is rhythmic and has a horror of constraint.
The auditory perception is not sufficient for our knowledge of the world; it does not have vastness.