I think that a lot of people do have a physical Ithaca, but I don't think that I do and I think that a lot of people do not. This depends on your values and the circumstances of your life. My Ithaca is in the Mental realm and this doesn't mean that you don't have to go back to it.

In the theatre, you are in love with what is on the stage, with the moment. You just don't get that with movies or videos, or TV, where you know that what you are seeing is repeatable.

I think that in this globalised world, the local is going to become more and more important - it is a paradox. You see it in Western Europe more and more. Eastern Europe is still coming out of the Soviet uniform cultural era, but this kind of separation and nationalism is very obvious now in Western Europe.

A form of art that I like is portraiture. I've been thinking about portraiture, and its relationship to writing and literature, biography and autobiography, and so that will be my next thing.

One of the unfortunate things about creative writing courses is that they make people impatient. People feel that they have prepared themselves and that they must now do it. In fact there are positive incentives for doing so - universities are offering degrees for writing novels.

I am coming from an older school, and I feel that you must learn to wait. There is that essay which was about the great notion of sitting on the mountain and waiting for the muses to cross the stream, and give you the symbols that would allow you to create. The word wait seems to me to be terribly important.

Every time you watch a performance in the theatre, you know that this is just for you, and will never be the same again. It is quite exciting for me.