The extraordinarily facile and in literary terms long lived works tend to be about ordinary people. Even Sappho writes about the utterly insignificant . What art can do is make the extraordinary more ordinary and ordinary more extraordinary.

I want to write the sort the book that my people want to read, even if the market is small.

Every time you watch a performance in the theatre, you know that this is just for you, and will never be the same again. It is quite exciting for me.

There is a mental space that we consciously makes our way back to, and give honour to what has formed us in this mental homeland which we carry with us always. It is important not to try to annihilate it but to take your courage in your hands and go back, and then I think you can more easily make a new beginning. A lot of us would like to know how to do this.

Despite the war, and bombings, and all the big things that happen to us, the stuff of our lives is small and always will be. During a war it is different, but even then, it is perfectly possible to write novels during a major war, which are about those thing which endure. It is what makes us human and the thing which is going to keep going.

You are obviously writing out of experience and so the boundaries are always blurred, it is just that sometimes it would seem that you are playing with fire a little bit by choosing someone that obviously existed.

I've always had a fascination for the stage which has to do with transfiguration. One moment you are John Smith from East Brighton riding in your cart, and the next moment you are in a completely different world.