The photographer must be absorbent - like a blotter, allow himself to be permeated by the poetic moment... His technique should be like an animal function... he should act automatically.

Nowadays people's visual imagination is so much more sophisticated, so much more developed, particularly in young people, that now you can make an image which just slightly suggests something, they can make of it what they will.

You know, they always say that the photographer is a hunter of images. That is a flattering image, the idea of a hunter, it's virile, acquired power. Actually though, it isn't that. We are really fishermen with hooks and lines.

To suggest is to create; to describe is to destroy.

If I knew how to take a good photograph, I'd do it every time.

I don't usually give out advice or recipes, but you must let the person looking at the photograph go some of the way to finishing it. You should offer them a seed that will grow and open up their minds.

A memory from my youth comes back to me. You go into the woods on a bike, with a girl. There is the smell of heather, you can hear the wind in the fir trees, you don't dare tell her about your love, but you feel happy, as if you were floating above the ground. Then you look at the clouds beyond the trees and they are fleeting. And you know that within an hour you'll have to go home, that tomorrow will be a working day. You wish you could stop that moment forever, but you can't, it is bound to end. So you take a photo, as if to challenge time.