With a terrible script you hustle and try to make it better. But with a good script it can be trouble because you rest on your laurels, so to speak, you think it's going to translate easily.

The greatest thing my dad taught me came from when I called him from a phone booth and said, 'Hungry. No bus token. Please. Out of options.' He said, 'Pfft, get a job.

Listen, smile, agree, then do whatever you were going to do anyway.

I think the goal is to make a well written scene seem like it's improvised and/or to come up with things that you find in the room that you couldn't have known until you get into the real situation, just try to improve things as you go along.

I've always felt like such an outsider in this industry. Because I'm so insane I guess.

I, personally, would be shocked if we went to the end of the tape now and I didn't have at least one... Look, even if I don't get one directly, eventually they're just going to have to give me one when I get old. So no matter how you slice it, I'm getting one.

You know, when you're part of a comedic duo, you can take breaks. It's kind of like having a partner that is good with a kid.