You just can't take a crash course to be a tango dancer in a movie.
Listening to critics is like letting Muhammad Ali decide which astronaut goes to the moon.
I try not to look for messages in films.
The most solitary I ever felt was when I was living in New York. I used to live in Enrico Caruso's old apartment, and I had a special staircase that took me up to the roof. There was nobody up there.
High Noon is a pretty corny movie.
To me, real comedy comes out of behavior. It's the choices you make as an actor. It's never about, "I want to do a comedy script." I can't think of it that way. And besides, some of those movies, those comedy movies, I can't even watch them.