I think that what's happened is that there's been a rediscovery of some good old-school films and a realization that there's always a place for them. We don't have to outgrow them with the new technology and we can do them with it and we can do them without it. We shouldn't always have the demands made on us to do it.

I always serve the writer first because I'm English trained, even though I'm American.

I love fire. Fire is hypnotic.

Everybody has a nightmare, and everybody apparently has falling dreams, and everybody has the drowning dream, and everybody has certain kinds of sexual manifestation dreams, as well as our stress dreams; I didn't study for the algebra test, I didn't study for my driving test, you know, all those dreams. I still have those dreams, and it's just such an interesting thing that our mind can turn against us, our own mind, you know we all have.

I do genre films because I like them, or because I need the money.

There's a depth to the nightmare, to the symbolism you can exploit, on an intellectual level, on a sexual level, on a primal, violent level, and I think all of those things together are just great. They're the spice and ingredients in the menu of the horror movie, and I think that's why we'll be around for a long time.

Horror has been very good to me in my career. Doing horror films is for the fans and helps keep that part of my career alive.