The cowboy movies is not our go-to programmer anymore, here's a horror film.

In a great horror movie, you've gotta have some character development and you've gotta set some of your people up and you've gotta have a little back story going. You've gotta take that time for exposition.

Because I am known in the horror genre now, I try and do at least one horror movie a year for my fans, my fans have been so good to me.

That's the thing with independent cinema: They all get good reviews, and they don't make money. Some of them are good. Some are great. And some are terrible.

A lot of guys like to go to the beach and bring a crowd, but not me. I like to be alone and out there with a couple of pelicans.

Doing a movie in Tel Aviv or London or South Africa or Mexico. It's this great second act to my career, and it's a real good time.

There's a depth to the nightmare, to the symbolism you can exploit, on an intellectual level, on a sexual level, on a primal, violent level, and I think all of those things together are just great. They're the spice and ingredients in the menu of the horror movie, and I think that's why we'll be around for a long time.