I think that everyone who took part has always been grateful for it.

Homer's whole language, the language in which he lived, the language that he breathed, because he never saw it, or certainly those who formed his tradition never saw it, in characters on the pages. It was all on the tongue and in the ear.

Electronic brains may help us to use our heads but will not excuse us from that duty, and as to our hearts-cardiograms cannot diagnose what may be most ill about them, or confirm what may be best. The faithful woman and the versatile brave man, the wakeful intelligence open to inspiration or grace-these are still exemplary for our kind, as they always were and always will be.

Yes, and there were changes of light on landscapes and changes of direction of the wind and the force of the wind and weather. That whole scene is too important in Homer to neglect.

In fact, eloquence in English will inevitably make use of the Latin element in our vocabulary.

I think there are perhaps two ways in which one can begin.

The question is how to bring a work of imagination out of one language that was just as taken-for-granted by the persons who used it as our language is by ourselves. Nothing strange about it.