People who read me seem to be divided into four groups: twenty-five percent like me for the right reasons; twenty-five percent like me for the wrong reasons; twenty-five percent hate me for the wrong reasons; twenty-five percent hate me for the right reasons. It's that last twenty-five percent that worries me.

The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away. The roadside flowers, too wet for the bee, Expend their bloom in vain. Come over the hills and far with me, And be my love in the rain.

I hate the idea that you ought to read the whole of anybody.

To be a poet is a condition, not a profession.

I don't like to see things on purpose. I like them to soak in. A friend . . . asked me to go to the top of the Empire State Building once, and I told him that he shouldn't treat New York as a sight-it's feeling, an emotional experience. And the same with every place else.

The people I want to hear about are the people who take risks.

Like a piece of ice on a hot stove the poem must ride on its own melting. . . . Read it a hundred times; it will forever keep its freshness as a metal keeps its fragrance. It can never lose its sense of a meaning that once unfolded by surprise as it went.