A lot of times, jazz musicians try to educate people. What other genre does that?

I think we're an inspiration to young people, to know they can be honest and not run away from influences that are not jazz. We're definitely breeding a new wave of jazz, for real.

You’ve got to be uncomfortable and rise to different occasions in order to become your best. No one is born a hero, but things happen and your response makes you a hero. It’s instinctual, it’s something that you may not even realize is there.

It's funny, now that we have Twitter and Facebook and stuff, you can really see how you affect fans. Before all that, fans couldn't tell you exactly how they feel, unless they came up after a show, and even then you can't stand there and talk to everybody in the audience. So it's nice to see people tweet me and say, "Your music has changed my life," or "I had my baby to your music," or "I got married to your music." I've heard so many things, and it's amazing to hear people's stories and how you affect their life.

It's the repetitive thing that brings space. That's one of the things I love secretly about hip-hop. Jazz doesn't have that element. It changes every bar, nothing is ever the same.

I grew up in church. That's how most young African American musicians learn how to perform. You could be six years old and playing organ or drums in front of thousands or hundreds of people.

Instead of hearing, "Oh, he's good," I'd rather hear, "Wow, you changed my feelings today, you made me feel different."